Wednesday, April 04, 2012
Another collection of photography work by Henri Cartier-Bresson. This time all of the photographs were taken around Paris. Some were in the Europeans collection, but most were new to me. The introduction by Vera Feyder read more like a poem than an introductory text which fitted the pictures nicely. It gives a little bit of background about Cartier-Bresson and mentions his "decisive moment" which I keep hearing about.
What I especially liked is that these are not simple tourist snaps. They are well thought out and beautifully composed. In the introduction it quotes Cartier-Bresson as saying "You see, photography is nothing, it's life that interests me. Life, do you see?" which is definitely what you notice immediately form opening the collection. Not as many pictures jumped out as the Europeans collection, but it was still a beyond excellent collection and I have learnt a lot form looking through these over the last few days. Below are two of my favourite pictures from this collection that weren't in the Europeans edition.
Porte d'Aubervilliers (1932) - The young boy looks straight out of Oliver Twist despite being in Paris. Another of his shots that is full of shapes. Lines on the sheds, diagonals of the roof, triangle of his arms and feet as well as the pavement. The light picks up the top of his hat nicely.